ZitatThe diversity of Japanese pop in the 1980s is astounding. Something magic happened; whether it was the sudden glut of Western culture after Japan’s strict isolation, the economic boom, the sudden availability of synthesizers, or a Japanese proclivity towards razor-sharp musicianship, the ’80s were a singular time for Japanese music. At the heart of the explosion was one of the most influential electronic music acts of all time, Yellow Magic Orchestra. Their music is usually described as technopop, but Yukihiro Takahashi, Haruomi Hosono, and Ryuichi Sakamoto were all deft genre-benders, both as a group and as solo artists. They experimented with folk, funk, house, electro, disco, hard techno, new wave, exotica, surf pop, and Indian synth ragas. Unsurprisingly, the three left their fingerprints on all the best music that was made in Japan at the time. In assembling this mix, we found that almost everything we loved was one degree removed from YMO, be it through their production, songwriting, an instrumental cameo, a collaboration, or their imprint, ¥EN Records.
ZitatThe candy-coated appeal of these songs can’t deflect from their progressive (and often deeply subversive) nature, and their importance in the global musical dialogue.
Ich hatte iwie auf mehr innovative, respektive eigene Sounds gehofft. Ein Track hört sich an wie von den Humpe Schwestern, der andere wie von Harold Faltermeyer und ein Bob Dylan Klon ist auch vorhanden. Aber war mal was anderes, thx für den Link.